Dhaka Makers returns with its second edition, promising a more grandiose experience. Following the widespread acclaim of its inaugural event last June, this time, the organisers have introduced an entry fee, perceived as nominal based on the bustling foot traffic on Day 01.
The art gallery boasts a diverse collection featuring over 75 artists, showcasing paintings of various mediums, each uniquely accentuating the artist’s central theme. Beyond conversation-starter sculptures, immersive neon-fueled light shows add an extra layer of intrigue.
In addition to sporadic outdoor musical performances and food stalls, what truly captures visitors’ interest is the array of workshops. From bamboo weaving to badge crafting, magic to upcycling, and kurinuki pottery to salsa dancing, the workshops offer an opportunity to delve into the intricacies of niche art and sculpting styles, directly from the source. Excitement resonates as visitors express their anticipation, such as one eager participant looking forward to the stop-motion puppet-making workshop by Ogopogo Animation Studios. The workshop schedule can be found on the official event website (dhakamakers.com/programme).
The highlight of the event, The Makers Market, spans two floors and accommodates over a hundred makers. Some spaces are co-shared by different entities, fostering more variety. Alongside individual f-commerce makers, brands with slightly niche positioning and loyal customer bases contribute to the market’s unique charm. The Dhaka-based souvenirs, including notebooks, postcards, and bookmarks, add a distinctive touch without overshadowing the individual makers.
Ishmam Rahman of Ishmam’s Atelier, stationed near the entrance, reflects on his initial scepticism about the market but is pleased with the positive responses. “It is especially fun to finally see the facial expressions of people who follow my work online but do not know the person behind it,” he remarked.
Fatin Hamama Nur Proma of Uronto Arshola, known for crafting clay jewellery, appreciates the engaged crowd, emphasising the importance of interaction. Visitors not only admire and purchase products but also inquire about the brand’s story and the creative process. Fatin shares a humorous incident where someone suggested she was underpricing her creations, highlighting the level of engagement.
Both artists acknowledge the challenges of balancing their creative pursuits with student life. Fatin views her craft as an outlet, expressing negative feelings creatively. Ishmam, a student of architecture, engages in typographies as a hobby for mental peace.
Dhaka Makers meticulously curates stalls to offer a unique experience. The selection criteria include skill, originality, creativity, ample stock for a four-day event, and a local presence. Emphasising the importance of originality, Fatin shares how some of her friends faced rejection during the application process.
The blend of established souvenir shops, passion projects, and veteran artists creates a diverse and attractive atmosphere. Visitors appreciate the uniqueness, with one remarking on the eccentric style of Gen Z, a refreshing departure from mainstream brands.
As the event unfolds from February 1st to February 4th, visitors can enjoy the eclectic offerings from 11 am to 9 pm each day. Dhaka Makers 2 is not just an art exhibition; it’s a celebration of creativity, interaction, and the vibrant spirit of the makers’ community.